Past Film & Video
(43 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
Locked (2020)
(Short)
-
Cinematographer,
Director,
Writer
Cinematographer,
Director,
Writer
See fewer
|
|
|
|
|
Echo (2019)
(Short)
-
Cinematographer,
Director,
Editor,
Producer,
Writer
Cinematographer,
Director,
Editor,
Producer,
Writer
See fewer
|
|
|
|
|
Argylle (2024)
Visual Effects Head Of Production (NVIZ)
Visual Effects Head Of Production (NVIZ)
See fewer
|
$200MM
|
$17MM
|
$45MM
|
$96MM
|
|
|
|
|
|
The Flash (2023)
Visual Effects Producer (Scanline VFX)
Visual Effects Producer (Scanline VFX)
See fewer
|
$200MM
|
$55MM
|
$108MM
|
$271MM
|
|
|
|
|
|
Soledad (2019)
(Short)
-
Cinematographer,
Director,
Editor
Cinematographer,
Director,
Editor
See fewer
|
|
|
|
|
|
|
|
|
|
|
$49MM
|
$17MM
|
$60MM
|
$121MM
|
|
$150MM
|
$54MM
|
$144MM
|
$450MM
|
|
$356MM
|
$357MM
|
$858MM
|
$2.8B
|
|
$170MM
|
$29MM
|
$86MM
|
$405MM
|
|
$130MM
|
$24MM
|
$172MM
|
$363MM
|
|
|
|
|
|
|
$200MM
|
$62MM
|
$160MM
|
$656MM
|
|
$75MM
|
$25MM
|
$99MM
|
$198MM
|
|
$321MM
|
$258MM
|
$679MM
|
$2.05B
|
|
$150MM
|
$28MM
|
$60MM
|
$291MM
|
Annihilation (2018)
Visual Effects Line Producer (Double Negative)
Visual Effects Line Producer (Double Negative)
See fewer
|
$40MM
|
$11MM
|
$33MM
|
$43MM
|
|
|
|
|
|
Paddington 2 (2017)
Visual Effects Department Manager (Framestore)
Visual Effects Department Manager (Framestore)
See fewer
|
$40MM
|
$11MM
|
$41MM
|
$290MM
|
The Mummy (2017)
Visual Effects Production Coordinator (MPC) (uncredited)
Visual Effects Production Coordinator (MPC) (uncredited)
See fewer
|
$125MM
|
$32MM
|
$80MM
|
$409MM
|
|
$230MM
|
$63MM
|
$173MM
|
$796MM
|
Ideal Candidate (2017)
(Short)
-
B Camera Operator,
Producer (Honeybee Films)
B Camera Operator,
Producer (Honeybee Films)
See fewer
|
|
|
|
|
|
|
|
|
|
|
$175MM
|
$15MM
|
$39MM
|
$149MM
|
Baby Driver (2017)
Vfx Line Producer (Double Negative)
Vfx Line Producer (Double Negative)
See fewer
|
$34MM
|
$21MM
|
$108MM
|
$227MM
|
Fergie Time (2017)
(Short)
-
Still Photographer,
Producer (Honeybee Films)
Still Photographer,
Producer (Honeybee Films)
See fewer
|
|
|
|
|
|
£2K
|
|
|
|
Ghostbusters (2016)
Visual Effects Production Coordinator (MPC)
Visual Effects Production Coordinator (MPC)
See fewer
|
$144MM
|
$46MM
|
$128MM
|
$229MM
|
The Shallows (2016)
Visual Effects Production Coordinator (MPC)
Visual Effects Production Coordinator (MPC)
See fewer
|
$17MM
|
$17MM
|
$55MM
|
$119MM
|
|
$165MM
|
$41MM
|
$103MM
|
$390MM
|
|
$178MM
|
$66MM
|
$155MM
|
$544MM
|
The Jungle Book (2016)
Visual Effects Production Coordinator (MPC)
Visual Effects Production Coordinator (MPC)
See fewer
|
$175MM
|
$103MM
|
$364MM
|
$968MM
|
|
£6K
|
|
|
|
|
|
$5K
|
$6K
|
$268K
|
|
|
|
|
|
Spectre (2015)
Visual Effects Production Coordinator (MPC)
Visual Effects Production Coordinator (MPC)
See fewer
|
$245MM
|
$70MM
|
$200MM
|
$881MM
|
|
£5K
|
|
|
|
|
|
|
|
|
Future Got No Past (2014)
(Short)
-
Guy 2,
Director,
Editor,
Executive Producer (Honeybee Films),
Writer
Guy 2,
Director,
Editor,
Executive Producer (Honeybee Films),
Writer
See fewer
|
£5K
|
|
|
|
|
£5K
|
|
|
|
Optimum
(Short)
-
Director (attached),
Producer (Honeybee Films),
Writer
Director (attached),
Producer (Honeybee Films),
Writer
See fewer
|
|
|
|
|