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Painting
March 2025
Larry Stanton: the artist who captured New York’s gay scene at a time of crisis
‘Painting was my final act of defiance’: how a chef from war-torn Eritrea wowed the art world after his death
Edvard Munch Portraits review – smug, creepy and weird, but where’s the drama?
No one’s buying Hunter Biden’s terrible paintings any more? I wonder why
Arwa Mahdawi
William S Burroughs’s art: ‘He said, I killed the only woman I loved. Then broke down sobbing’
‘He said I sounded hysterical’: Celia Paul on lover Lucian Freud, his cold friends and the ‘devastating’ YBAs
Jack Vettriano put art in the hands of everyday people
Brief letters
Two slaps in the face from the Europeans
Letter: Eric Rimmington obituary
Best seat in the house: writer Geoff Dyer on why sitting in a corner is so satisfying
Siena: The Rise of Painting, 1300-1350 review – saints and sinners come alive in art’s golden moment
Art Weekly newsletter
Darkness from Serra, delights from Siena, and a polar bear sound asleep – the week in art
Sole portrait of England’s ‘nine-day queen’ thought to have been identified by researchers
Martha Edelheit, 93, on her erotic exhibition: ‘Art always has a sensual aesthetic’
Anselm Kiefer review – creative giant crushed under Van Gogh’s starry might
Siena: The Rise of Painting review – a heart-stopping show about the moment western art came alive
Jack Vettriano obituary
‘I see things in very short bursts’: blind painter Bianca Raffaella on her explosive still lifes – and being mentored by Tracey Emin
Jack Vettriano: ‘His paintings are like a double cheeseburger in a greasy wrapper’
Jack Vettriano: a life in pictures
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