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Culture

13 March 2025

  • the Martha Mills young writers’ prize.

    Martha Mills young writers’ prize 2025 opens for entries

  • Benedetti

    Artists have the power to stand up for truth, says Edinburgh festival director

  • Annie and the Caldwells

    Alexis Petridis's album of the week
    Annie and the Caldwells: Can’t Lose My (Soul) review – a gospel masterpiece to drag you out of despair

  • A Little Inquest Into What We Are All Doing Here.

    A Little Inquest Into What We Are All Doing Here review – notes on a scandal

  • The Brand New Heavies review – acid jazzers are as slick and funky as ever

  • Wanderstop review – a wonderful break from the pressure to win

  • Madame Sosostris & the Festival for the Broken-Hearted by Ben Okri review – a slender fable

  • The play that changed my life
    The play that changed my life: how a pratfall in a student fringe farce made James Graham a playwright

  • Parents should stop children gaming on Roblox if they are worried, says CEO

  • Seascape: the state of our oceans
    Keep your head above water: art show looks at the rising seas

  • Larry Stanton: the artist who captured New York’s gay scene at a time of crisis

  • Book of the day
    Universality by Natasha Brown review – clever satire of identity politics

  • TV review
    Long Bright River review – Amanda Seyfried’s Mare of Easttown is a slog

  • Take your pic! Sony world photography open award winners – in pictures

  • Antidote review – gripping study of dissidents and whistleblowers in Putin’s crosshairs

  • TV tonight
    TV tonight: Stacey Dooley on the UK’s shocking rape conviction statistics

  • ‘In plain sight’: how The Hague museum was secret hideout from Nazi forced labour

  • ‘We fell in love with the ballet and with her’: why 184-year-old Giselle keeps us swooning

  • TV review
    Adolescence review – the closest thing to TV perfection in decades

12 March 2025

  • Jeanette Winterson, photographed at her home in London. Jeanette Winterson is an English writer, who became famous with her first book, Oranges Are Not the Only Fruit, a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Other novels of hers have explored gender polarities and sexual identity, and later novels the relations between humans and technology. She is also a broadcaster and a professor of creative writing. She won a Whitbread Prize for a First Novel, a BAFTA Award for Best Drama, the John Llewellyn Rhys Prize, the E. M. Forster Award and the St. Louis Literary Award, and the Lambda Literary Award twice. She holds an Officer of the Order of the British Empire (OBE) and a Commander of the Order of the British Empire (CBE), and is a Fellow of the Royal Society of Literature.

    OpenAI’s metafictional short story about grief is beautiful and moving

    Jeanette Winterson
    I think of AI as alternative intelligence – and its capacity to be ‘other’ is just what the human race needs
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