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Documentary films

March 2025

  • Mortal pressure … Christo Grozev in Antidote.

    Antidote review – gripping study of dissidents and whistleblowers in Putin’s crosshairs

  • a man in shadow looks up at a plaque in a monument with white pillars

    ‘80 years of lies and deception’: is this film proof of alien life on Earth?

  • Halyna Hutchins on the set of Rust.

    ‘A cascade of terrible things’: documentary pieces together Rust shooting tragedy

  • The Wonder Way

    The Wonder Way review – artists grapple with the outdoors in study of beautiful chaos

  • Kamay review – searing story of Afghan Hazara family’s painful quest for justice

  • Twiggy review – Sadie Frost’s slick portrait of the world’s first supermodel

  • Ernest Cole: Lost and Found review – the man who turned his camera on apartheid

  • ‘It’s been really profound’: artists Joel Meyerowitz and Maggie Barrett on laying bare their marriage on film

  • Ignore the row: Oscar-winning No Other Land offers a vision of a shared Palestine forged in solidarity

    Kenan Malik

  • ‘One agency called me Thunder Thighs’: Twiggy and Sadie Frost on sexism, self-esteem and the swinging 60s

  • ‘A certain kind of chaos’: Errol Morris unpacks Charles Manson theories

  • Twiggy review – Sadie Frost’s breezy telling of sunny fashion star’s landmark career

  • Remote controls, tumble dryers, documentaries … do we have to make everything so complicated?

    Adrian Chiles

  • Like Tears in Rain review – Rutger Hauer portrait takes deep dive into the archive

  • Ernest Cole: Lost & Found review – tragic story of fiercely pioneering photographer

  • Hakeem review – musician’s journey from prison to Glastonbury exudes warmth and sincerity

  • Archive of the Future review – mesmerising safari through Vienna’s natural history museum

  • Jimmy review – lyrical and impressionistic vision of James Baldwin in 1940s Paris

  • No Other Land directors criticise US as they accept documentary Oscar: ‘US foreign policy is helping block the path’ to peace

  • ‘A chilling effect’: is Hollywood too scared to touch hot-button documentaries?

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